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Emily Kngwarreye (c.1910 -1996) |
Emily turned the aesthetics of Aboriginal art inside out (or more appropriately outside in). Her revolutionary breakthrough involved a radical change in emphasisin making the iconography of her stories of secondary importance to their "overall" abstraction. Emily choose to highlight the emotional content of her Dreaming stories rather than their specifics, suffusing both symbols and structure beneath sensual passages of dots. The grid of lines, which had served as the bones of her earlier paintings, was gradually obscured altogether, but remained as the inner logic of these middle period compositions. |
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4.
(TVU 13) |
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5.
(TVU 12)
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All
paintings indicated with green dots |