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David Malangi is probably the most celebrated living
aboriginal artist. His career spans over thirty five years during which
time his traditional designs were used for the Australian dollar and on
numerous occasions he has represented Australia internationally, such
as at the Sao Paolo Bienalle in 1983. On a recent trip to Australia I
visited with David and spent an afternoon watching him paint. After showing
him the catalog of a museum exhibition I had done, which featured an early
work of his on the cover, he gradually warmed up to me. At first it seemed
difficult for him to digest the fact that there was a reproduction of
an important early work in front of him as aboriginal artists rarely see
older works of theirs again once they have entered into the context of
the outside world and their ways of telling the same storys evolve and
change over the course of the years. The fact that their works have a
real permanence to them and an "afterlife" is a relatively new concept
for a people to whom the importance of the artwork is the spiritual aspect
of the creative act and a works power as a story telling aid. Eventually
after his wife and nephew showed interest in the work he began laughing
at my museum ctalog and marveling at seeing this seminal painting of his
again. He then went inside and brought out chersished memorobilia, showing
me a number of the awards he has received over the years for his many
artistic achievements. Collections: Australia National Gallery, National
Gallery of Victoria, Northern Territory Museum, Art Gallery of New South
Wales, Art Gallery of Western Australia, This figure is a match of one
in the collection of the Northern Territory Museum, Darwin.
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